Arri “OPENGATE” for 2.39:1 for Spherical

  I was in pre-production for a film when I ran into the need to understand all my options for shooting in a 2.39:1 ratio on digital.  I knew right after reading the script that we needed to shoot in a scope format because the project had all of the elements that the format was designed…

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Phantom FLEX

  Every once and in a while I get the chance to shoot some very high-speed footage.  I have worked with the Phantom systems a few times and found that I am a fan of the FLEX mode; however, there are a few things you should know before shooting it.  Some of the things are…

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