There are many different aspect ratios being framed for out there, but the one getting a lot of screen time these days is the hybrid format of 2.00:1. It dates as far back as the early 1950’s in a format called SUPERSCOPE. A breakthrough film showcasing this format was the RKO picture “Vera Cruz”, in …
Category: WORKFLOW
Arri “OPENGATE” for 2.39:1 for Spherical
I was in pre-production for a film when I ran into the need to understand all my options for shooting in a 2.39:1 ratio on digital. I knew right after reading the script that we needed to shoot in a scope format because the project had all of the elements that the format was designed …
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